Friday, May 18, 2012

Solomon's Famous Judgement - 1 Kings 3



Shortly before his death in ancient Israel King David has a vision from God telling him that his younger son Solomon should succeed him as king. His other son Adonijah is unhappy and vows to attain the throne. Meanwhile the Egyptian Pharoah agrees to cede a Red Sea port to the Queen of Sheba is she can find a way to destroy Solomon, whose wisdom and benevolent rule is seen as a threat to more tyrannical monarchs in the region. Sheba, Pharoah, Adonijah, the leaders of the Twelve Tribes and his own God make life difficult for Solomon who is tempted by Sheba to stray.

Just prior to his death, King David names his younger son, Solomon, his heir ahead of his elder son Prince Adonijah. Solomon is wise and rules his kingdom well but when the Queen of Sheba arrives in Jerusalem, supposedly for a friendly visit, he slowly falls in love with her. In fact, the Queen is in league with the Pharaoh of Egypt and her aim is to divide the twelve tribes of Israel and uses the disaffected Prince Adonijah in her plans. Over time however, she too falls in love with King Solomon choosing to side with him against the Pharaoh.

Sheba witnesses the wisdom of Solomon in this classic scene from the movie Solomon and Sheba released in 1959 starring Yul Brynner and Gina Lollobrigida.

Wednesday, May 16, 2012

Monday, May 14, 2012

The Cab Ride

Determined by Snopes to be true.

The Cab Ride

by Kent Nerbern

There was a time in my life twenty years ago when I was driving a cab for a living. It was a cowboy’s life, a gamblers life, a life for someone who wanted no boss, constant movement, and the thrill of a dice roll every time a new passenger got into the cab.

What I didn’t count on when I took the job was that it was also a ministry. Because I drove the night shift, the car became a rolling confessional. Passengers would climb in, sit behind me in total darkness and anonymity, and tell me of their lives.

We were like strangers on a train, the passengers and I, hurtling through the night, revealing intimacies we would never have dreamed of sharing during the brighter light of day.

In those hours, I encountered people whose lives amazed me, ennobled me, made me laugh, and made me weep. And none of those lives touched me more than that of a woman I picked up late on a warm August night.

I was responding to a call from a small brick fourplex in a quiet part of town. I assumed I was being sent to pick up some partyers, or someone who had just had a fight with a lover or someone going off to an early shift at some factory in the industrial part of town.

When I arrived at the address, the building was dark except for a single light in a ground-floor window. Under these circumstances many drivers would just honk once or twice, wait a short minute, and then drive away. Too many bad possibilities awaited a driver who went up to a darkened building at two-thirty in the morning.

But I had seen too many people trapped in a live of poverty who depended on the cab as their only means of transportation. Unless a situation smelled of danger, I always went to the door to try to find the passenger. It might, I reasoned, be someone who needed my assistance. Would I not want a driver to do the same if my mother or father had called for a cab?

So I walked to the door and knocked.

"Just a minute", answered a frail and elderly voice. I could hear something being dragged across the floor.

After a long pause, the door opened. A small woman, somewhere in her eighties, stood before me. She was wearing a print dress and a pillbox hat with a veil pinned on it, like you might see in a costume shop or a Goodwill store or in a 1940s movie. By her side was a small nylon suitcase. The sound had been her dragging it across the floor.

The apartment looked as if no one had lived in it for years. All the furniture was covered with sheets. There were no clocks on the walls, no knickknacks or utensils on the counters. In the corner was a cardboard box filled with photos and glassware.

"Would you carry my bag out to the car?" she said. "I'd like a few moments alone. Then, if you could come back and help me? I'm not very strong."

I took the suitcase to the cab, then returned to assist the woman. She took my arm, and we walked slowly toward the curb. She kept thanking me for my kindness.

"It's nothing", I told her. "I just try to treat my passengers the way I would want my mother treated".

"Oh, you're such a good boy", she said. Her praise and appreciation were almost embarrassing.

When we got in the cab, she gave me an address, and then asked, "Could you drive through downtown?"

"It's not the shortest way," I answered.

"Oh, I don't mind," she said. "I'm in no hurry. I'm on my way to a hospice".

I looked in the rear-view mirror. Her eyes were glistening.

"I don't have any family left," she continued. "The doctor said I should go there. He says I don't have very long."

I quietly reached over and shut off the meter. "What route would you like me to go?" I asked.

For the next two hours we drove through the city. She showed me the building where she had once worked as an elevator operator. We drove through the neighborhood where she and her husband had lived when they had first been married. She made me pull up in front of a furniture warehouse that had once been a ballroom where she had gone dancing as a girl. Sometimes she would have me slow down in front of a particular building or corner and would sit staring into the darkness, saying nothing.

As the first hint of sun was creasing the horizon, she suddenly said, "I'm tired. Let's go now."

We drove in silence to the address she had given me. It was a low building, like a small convalescent home, with a tar driveway that passed under a portico. Two orderlies came out to the cab as soon as we pulled up. Without waiting for me, they opened the door and began assisting the woman. They were solicitous and intent, watching her every move. They must have been expecting her: perhaps she had phone them right before we left.

I opened the trunk and took the small suitcase up to the door. The woman was already seated in a wheelchair.

"How much do I owe you?" she asked, reaching into her purse.

"Nothing," I said.

"You have to make a living," she answered.

"There are other passengers," I responded.

Almost without thinking, I bent over and gave her a hug. She held onto me tightly. "You gave an old woman a little moment of joy," she said. "Thank you."

There was nothing more to say. I squeezed her hand once, then walked into the dim morning light. Behind me I could hear the door shut. It was the sound of the closing of a life.

I did not pick up any more passengers that shift. I drove aimlessly, lost in thought. For the remainder of that day, I could hardly talk. What if that woman had gotten a driver who had been angry or abusive or impatient to end his shift? What if I had refused to take the run or had honked once, then driven away? What if I had been in a foul mood and had refused to engage the woman in conversation? How many other moments like that had I missed or failed to grasp?

We are so conditioned to think that our lives revolve around great moments. But great moments often catch us unawares. When that woman hugged me and said that I had brought her a moment of joy, it was possible to believe that I had been placed on earth for the sole purpose of providing her with that last ride. I do not think that I have done anything in my life that was any more important.

2 Samuel 18 - "When David Heard"



When David heard that Absalom was slain, he went up into his chamber over the gate and wept, and thus he said, "My son, my son, O Absalom my son, would God I had died for thee! O Absalom, my son, my son!"

When David Heard was premiered by the BYU Singers in March of 1999 and was recorded in the Museum of Art on the BYU Campus. It appears on the Singer's CD: Eric Whitacre: The Complete A Cappella Works, 1991-2001.

Commissioned for the Singers by the Barlow Endowment for the Arts, Eric was partly inspired by news that the choir director's 19 yr old son was killed in a car accident. Eric wrote:
"Setting this text was such a lonely experience...I wrote maybe 200 pages of sketches, trying to find the perfect balance between sound and silence...and by the time I finished a year later I was profoundly changed."
When David Heard is dedicated "with love and silence" to the choir's conductor, Dr. Ronald Staheli.

Wednesday, May 9, 2012

David and Bathsheba Trailer (very dramatic)

I almost didn't post this, but is so "over the top" that I can't resist:



Oscar® winner Gregory Peck (To Kill A Mockingbird) rises to the challenge as Israel's King David, great military leader and eponymous slayer of the mighty Goliath. A king of action above words, David faces the most challenging battle of all when he is faced with the incomparable beauty of Bathsheba (Oscar® winner Susan Hayward, I Want To Live!) and the consequences of falling under her spell.

Driven to distraction by Bathsheba, the mighty king sends her soldier husband Uriah (Kieron Moore, The Thin Red Line) away on a treacherous mission in order to pursue his own amorous interests, embarking on an adulterous affair that would become his ultimate undoing.

Neglecting the very kingdom he helped to create and turning his back on the people who came to believe in him, David's spectacular descent into the depths of despair, incurring the everlasting wrath of God, is the Old Testament's most affecting tales of forbidden love and personal downfall.